|
s c r a p b o o k 3 |
kim crow |
![]() |
|||||||||||||||||||||||||||||||
|
|
|
|
|
|
|
|
||||||||||||||||||||||||||||
|
|
||||||||||||||||||||||||||||||||||
![]() |
![]() |
![]() |
![]() |
|||||||||||||||||||||||||||||||
| With John Forsythe and dearest Annie in 'Bully!' I Love a Mystery, 1990s. Nancy De Long, dir. Yeehaw! Love those feathers! | ||||||||||||||||||||||||||||||||||
![]() |
||||||||||||||||||||||||||||||||||
| Lotsa hair! And that same sort of vague mistrust that I felt as a girl when visiting Santa Claus in the Department stores ...'The Lion in Winter' 1979. Twickenham Repertory Company | ||||||||||||||||||||||||||||||||||
| 'Vanities' (playing Joanne) with the wonderful Carolyn Michel and Bobbie Spencer. Carolyn directing. Golden Apple Dinner Theatre. 1987ish. I got to say the 'f'' word for the first time deliberately on a Sarasota stage. It was fun! | ||||||||||||||||||||||||||||||||||
| Mulling it all over as Lizzie during my company's debut production of 'The Rainmaker' 1979 Twickenham Repertory Company. | ||||||||||||||||||||||||||||||||||
![]() |
Got a lot of good commercial work in Atlanta with this head shot in the 80's. It was also the first time a photographer made a very serious pass at me during a session. Oh my!
|
|||||||||||||||||||||||||||||||||
|
||||||||||||||||||||||||||||||||||
| As Marianne in Moliere's 'The Miser' Alabama Shakespeare Festival, 1976. 'That servant that you mentioned...was his name (flick fan) Pedro?' My wig looks like it's been through farce - must've been a double and this was the second show of the day. | ||||||||||||||||||||||||||||||||||
![]() |
![]() |
|||||||||||||||||||||||||||||||||
| As Sybil Berling in 'An Inspector Calls' for Florida Studio Theatre, Jim Alexander, dir. It was an amazing thing to play a woman without a soul. As I was prepping for the role, our cats used to flee from me. 1997. | ||||||||||||||||||||||||||||||||||
| 'An Inspector Calls' grips audience ... the performance approaches the inescapable quality of tragedy ... kim Crow has a rich, plummy voice and uses a haughty expression and almost no gestures except her hands clasped together to portray the self-righteous mother ... So credible and so convincing are the actors ... this performance has powerful resonance." Jeffrey Smart, Longboat Observer ¥ Thursday, January 23, 1997___
"The actors ... make the story so compelling that you believe who they are .. this fast moving production keeps you involved and may make you wonder how you treat the people you meet." "Kim Crow takes that pompous attitude even further, playing a woman who refuses to admit any guilt or culpabiliy. Her lips are pursed so tightly that you fear she may bite through them." Jay Handleman, Sarasota Herald-Tribune ¥ Friday, January 17 , 1997___ Florida Studio Theatre's crisp, vigorous production ... under (Jim Alexander's skillful direction, a polished cast delivers beautiful performances that carry just the correct touches of melodrama needed for the occasion." Joanne Milani, Tampa Tribune ¥ Sunday, January 26, 1997___ |
||||||||||||||||||||||||||||||||||
| Having so much fun in Shakespeare's 'As You Like It' that my knees buckle. Looks like I got over what I was so fisty-fierce about in the pic to the left. 1979. | ||||||||||||||||||||||||||||||||||